The EU is seeking a candidate to mediate in the Russia-Ukraine war following the US withdrawal from trilateral talks.
The announcement was delivered with the social precision one expects of institutions that have had centuries to perfect the art of saying nothing with impeccable diction. Beneath the table, however, something stirred. It was a quiet stirring, of course, the kind that does not disturb the silverware or the carefully calibrated expressions of the guests, but it was there nonetheless. The European Union, having been left alone in the drawing room after the United States departed for a more congenible climate, has decided to seek a mediator for the war in Russia and Ukraine. The phrasing is exquisite. It suggests a vacuum, a polite absence, and a subsequent filling of that void with something soft, something diplomatic, something that will not scratch the upholstery.
One must admire the architecture of the pretence. The United States withdrew from trilateral talks, a maneuver that might be described as abrupt, or perhaps merely decisive, depending on which side of the Atlantic one is standing. The EU, in its infinite wisdom and bureaucratic grace, has chosen not to describe this as an abandonment, nor as a strategic retreat, nor as a failure of will. Instead, it has framed it as an opportunity for European agency. The candidate they seek is not a warrior, nor a statesman of iron, but a mediator. A mediator is a very useful creature in a drawing room. He is the person who suggests that perhaps the two guests who have been throwing heavy objects at each other might like to discuss their differences over tea. He is the person who assumes that the heavy objects were merely misunderstood gestures of affection.
The feral detail here is not the war itself. The war is loud, messy, and entirely visible. It is the thing that everyone agrees is happening, which makes it safe to ignore in polite conversation. The feral detail is the belief that a mediator can be found for a conflict that is not, in fact, a misunderstanding. It is the belief that the European Union, an entity composed largely of committees, directives, and consensus-building exercises, can step into a room where the furniture is on fire and suggest a new seating arrangement. It is the belief that the United States’ departure leaves a space that can be filled by anything other than a void.
Consider the nature of the candidate they seek. He must be impartial, which is to say, he must be willing to ignore the fact that one side is invading the other. He must be diplomatic, which is to say, he must be skilled at translating “we are killing them” into “we are asserting our sovereignty.” He must be European, which is to say, he must be familiar with the art of delaying action until the problem has either solved itself or become someone else’s problem. The search for such a man is a search for a unicorn, or perhaps a cat that can be trained to hunt mice without actually catching them.
The stakes, as they are described, are high. The EU’s role in global security is at issue. This is a phrase that carries a certain weight, like a heavy coat that one is expected to wear despite the heat. But what is the EU’s role? Is it to protect? To punish? To mediate? The answer, it seems, is to manage the appearance of order while the order disintegrates. The United States has left the room. The door is closed. The lights are dimmed. And the EU is looking for someone to read a poem to the wolves.
There is a cruelty in this, not the cruelty of violence, but the cruelty of incompetence disguised as virtue. It is the cruelty of the aunt who insists that the child eat his vegetables while the house burns down. It is the cruelty of the institution that believes its forms can contain the chaos of human nature. The mediator they seek will not end the war. He will not stop the tanks. He will not bring peace. He will, however, provide a report. He will hold meetings. He will issue statements. And in doing so, he will allow the EU to say that it is doing something, which is the highest form of civilisation.
The drawing room attempts to reassemble itself. The chairs are pushed back. The tea is poured. The mediator is appointed, or perhaps not, for the search is ongoing, which is a state of perpetual potentiality. The guests nod. They agree that this is the right course of action. They do not mention the blood. They do not mention the ruins. They do not mention that the United States has left them alone with the wolves. They simply wait for the mediator to arrive, hoping that he will be polite enough to pretend that the wolves are merely large, misunderstood dogs.
And so the game continues. The surface is polished. The manners are impeccable. The feral thing underneath is acknowledged only insofar as it is managed, contained, and denied. The EU seeks a mediator. The world waits. And somewhere, in the corner of the room, a cat watches, knowing that the tea will not stop the hunger, and that the poem will not stop the teeth. It is a perfectly civilised arrangement. Everyone agrees. The only dissent comes from those who are being eaten, but they have not been invited to the discussion, an oversight consistent with the arrangement’s civilised character.